THE ULTIMATE METHOD

Democratising Composition to Transform Music, Education, and Wellbeing

A Formal System for Extracting Beautiful, Fully Formed Compositions Directly from the Innate, Subconscious Musicality of Any Individual.
Discover more in this video!
Untrained individuals who have experienced music composition since 2009
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A revolutionary method that adapts to everyone

Commissioned by Brunel University London, this comprehensive video investigates the universal capacity for musical composition and considers its implications for concert societies, music education institutions, clinical and therapeutic contexts, and a new professional practice for composers.

Since its launch in 2011, Brainarm™ has enabled individuals with little or no musical background (including those with disabilities) to compose music of exceptional quality from the outset, circumventing traditional bottom-up pedagogical approaches.
Known as Full Compositional Coaching, this innovative method for musical creation has the potential to cultivate a new generation of concertgoers through unique, personally expressive works they would otherwise remain unable to produce.

Rather than pursuing the conventional, lengthy trajectory of music education, individuals may now collaborate directly with expert composer-coaches, drawing upon professional guidance to create original, substantial music immediately and intuitively—entirely free from the coach’s artistic influence. 

Discover compositions created by those often described as “non-musical”

Testo Scorrevole
1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude

During her first Brainarm™ session, a six-year-old pupil developed Nighttime, an impressionistic composition informed by the aesthetics of Debussy and Cage. A 23-year-old novice pianist employed as a bartender authored Lemon Peel, a modernist acid-jazz work employing Ligeti-inspired harmonic structures. A devoted woman in her forties, who had recently resumed piano studies at foundational level, crafted Psalm 133:1—a work drawing from pastoral traditions, folk idioms, and early Renaissance musical language. A yoga practitioner of intermediate pianistic ability, self-educated in composition through personal endeavour, manifested his expanded artistic capabilities through Hommage to Scriabin, a technically demanding composition. These instances are not exceptional outliers; rather, they exemplify the pedagogical approach’s demonstrated capacity to facilitate substantive compositional creation amongst individuals entirely lacking professional musical credentials.

Guido Mallardi: Developer of Full Compositional Coaching and the Brainarm™ Project

"If we do not require formal training as writers or poets to speak, write, or employ metaphors, why should we assume that one must study music formally and become a trained composer to create it? Music and language are both acquired naturally through exposure from early childhood. From birth, we are immersed in music and unconsciously absorb its fundamental structures—which is precisely why we understand and respond to it intuitively. Music already resides within us, though it may remain dormant and unawakened. The reality is that this innate musicality can be activated and expressed immediately through a 'human interface'—a bridge to deep, hidden music."

Gianni Marini composing through Guido Mallardi during a public demonstration in Fermo, Italy, 2012.

Why it works for Every Musician or Non-Musician

The foundation of this top-down process lies in free improvisation and structured coaching. No prior musical education, specialised training, perceived talent, or preconceived ideas are required to produce sophisticated compositions. Music resides already within the subconscious mind, its fundamental structures having been absorbed throughout development. This explains why individuals instinctively respond to music and intuitively grasp its meaning.

Benefits

Brainarm™ Full Compositional Coaching is an organic system that enables individuals to recognise and realise their remarkable innate musical potential. The process unlocks creativity, builds self-confidence, promotes neuroplasticity, and enhances the accessibility and appeal of classical music.

The image shows participants after premiering their works at Accademia Professionale di Musica (Fermo, Italy) in 2012.

Partnerships

Composers, copyists, pianists, arrangers, ensembles, and orchestras may collaborate towards democratising classical music, with support or promotion from concert societies and Brainarm™

Building New Audiences Whilst Creating Professional Opportunities for Composers

This innovative, evidence-based solution engages non-musicians in cultivated music—including those with disabilities—through their innate musicality, whilst developing a new, sustainable professional practice for composers as composition coaches.
Can it reverse audience decline by awakening innate musicality?

How may it serve composers?

THIIS VIDEO features Dickran Atamian—pianist, Price Attractions director, and artist manager for Lalo Schifrin (Mission Impossible soundtrack)—who offers his review of the Brainarm Full Compositional Coaching. He highlights the program’s far-reaching implications, such as its potential to educate classical concert audiences and increase student retention for music educators.

Discover more about the method

Compositions by those without formal training

Testo Scorrevole
1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude     -     1. C. Masson: Nighttime     2. J. Germani: Lemon Peel     3. L. Di Matteo: Psalm 133:1     4. F. Fasino: A Rock Interlude

Applications, Benefits, and Implications

For Concert Societies, Schools, and Music Education

For Clinical Settings, Rehabilitation Centres, and Care Facilities

Therapeutic Applications: Full Compositional Coaching for Wellbeing and Recovery.

For Composers

Establishing a New Professional Practice and a Sustainable Career Pathway as Full Compositional Coaches. 

THE INTRODUCTORY VIDEO recommended viewing if not already watched—explores all those benefits in greater detail, whilst
THIS COMPANION RESOURCE highlights the music-therapeutic dimension.

Introduction to Brainarm™ Full Compositional Coaching (by its developer) – Best Concept in the Music Industry 2021-2022

In 2020/21, Brainarm™ received the London and South-East Prestige Award for Best and Newest Concept in the Music Industry.

The video features the music Simone drafted during his first session with Brainarm™, followed by his testimonial.

The Brainarm™ technique has demonstrated consistent effectiveness, and since 2019, accessibility has been extended to individuals with disabilities, ensuring no barrier to self-expression. Simone Carannante exemplifies this success: a young man with no musical training and no prior interest in classical music, who composed a sophisticated work in the modern classical style through his initial engagement with the process.

Further demonstrating that disability poses no limit to musical creation and expression, a blind teenager and a man with tetraplegia (locked-in syndrome) have both initiated compositions through the process. Additional testimonials are available in the Expert Testimonials section of this page and on the Participant & Expert Testimonials page accessible from the menu.

Brainarm™ & Mindfulness

Full Compositional Coaching shares fundamental principles with mindfulness practice: both encourage individuals to engage fully with the present moment, suspend immediate judgement, and trust innate capacities that emerge when conscious interference is reduced.

Presence and Flow: The compositional process through Brainarm requires participants to remain attentive to their immediate musical impulses rather than dwelling on perceived limitations. This sustained attention to the present moment—characteristic of mindfulness—creates conditions for what psychologists term the "flow state," where self-focus diminishes and creative expression flows naturally. Traditional music education often involves critical evaluation at every stage, which can inhibit spontaneous creativity. Full Compositional Coaching invites participants to observe their musical ideas without immediate judgement, mirroring mindfulness practice.

Trust in Innate Capacity: Mindfulness practices cultivate trust in the body's inherent wisdom and natural rhythms. Similarly, Brainarm reveals that musical capacity—absorbed unconsciously throughout life—resides within everyone. Both approaches suggest that profound abilities emerge not through forced effort but through relaxed attention and trust in processes operating beneath conscious awareness.

This short video features Daniel Nicholson (Cadenza Music) shedding further light on the music-therapeutic aspect.

The Brainarm™ system is effective regardless of perceived musical talent, pitch recognition ability, or physical disability.

Sessions can be conducted in person or remotely

Online participants do not even need a piano, as the videoconferencing software provides a virtual keyboard.

Professional Perspectives on the Democratisation of Composition

Audience Education & Brainarm: The Vision of Dickran Atamian, Pianist and Artist Manager

The video features Dickran Atamian, director of Price Attractions and artist manager for Lalo Schifrin (Mission Impossible soundtrack), who offers his review of Brainarm™ Full Compositional Coaching.
He highlights the programme's far-reaching implications, including its potential to educate classical concert audiences and improve student retention for music educators

Further reviews from music professionals, journalists, and participants appear on the PARTICIPANT & EXPERT TESTIMONIAL page.

External reviews of individuals who composed through Brainarm are also available on Yell and Google Maps.

The Brainarm Artistic Movement

Beyond its pedagogical applications, Brainarm represents a distinctive artistic movement that challenges conventional assumptions about musical authorship and creative expression. This movement recognises composition not as the exclusive domain of formally trained musicians, but as a fundamental human capacity accessible to all. The principles, aesthetic values, and philosophical foundations of this movement are articulated in The Artistic Manifesto of Brainarm, which establishes the theoretical framework for this approach to musical creation and its implications for the future of compositional practice.
Manifesto